I have more triggers than I thought. Others to come?
I brought out my boss field recorder to get all the audio of what happens when one tries to make phone calls through CityBridge’s West End Avenue phone booths. I’ve done this before but only with partial audio recorded through my camera’s mic. This time I brought a field recorder and a Radio Shack suction-cup thingy used to record phone calls.
Why would a public pay telephone connect to a recorded message saying my call could not be completed because I don't have enough account credits?
These back-to-back payphones at the Queensbridge Houses in Long Island City have some special meaning to me, on account of the circumstances under which I found them.
Of about a dozen or so payphones scattered throughout Central Park this one, at the Model Boat Sailing place, was the last one that worked.
Development work at Penn Station has forced removal of about a ½ dozen working payphones. One of these phones was among my most-used devices to record sounds of nearby subway buskers, like Shobo Kubo and others.
The payphone room at NYU Langone's Tisch Hospital today functions as more of a broom closet than a place to make a phone call. Not only did one of these phones actually work, but its volume control button did as well. That's rare.
I picked up a payphone and let it listen to the sweet sounds of Shogo Kubo, whose guitar stylings frequently grace New York's Penn Station.
I canvassed the Broadway/Lafayette BDFM and Bleecker Street 6 subway stations for payphones. This is what I saw. This is what I heard.
Live music sounds different when funneled through the crackly, rugged sound world of a landline payphone.
It's the sound of someone playing what I am reasonably certain is a mandolin, as heard through a Union Square payphone.
You wouldn't think it from the looks of this old thing but a beaten-up payphone at the Times Square subway station actually works. I used it to make a one-way call. Listen in.
My voice sounds mighty different through this payphone when compared to being captured by decent audio gear. Listen in.
Call quality on LinkNYC kiosks is generally very bad, and has actually gotten worse in recent months since CityBridge, the company that owns the kiosks, has decided to set a majority of the devices so the volume can only be turned up half way. I tried making calls from kiosks in noisy spots and found…
Listen in as a payphone call goes horribly wrong, blasting The Howler into a call which should have been free of such noise.
This is the first decent quality recording I've made of a New York City street musician as heard through a LinkNYC device.
Strange beeps coming from a Rockefeller Center payphone might have some meaning, or they might not. Anyone with knowledge of the matter is welcome to inform us all.
The somewhat harsh timbre of the single string lute seems to suit the scratchy, monochrome texture of the landline telephone.
Listen in on the somber sounds of a Sacred Harp ensemble singing at the Port Authority subway station on the 15th anniversary of the 9/11 massacre.
Any endeavor which depends on the reliability of the public telephone is imperiled from the start. I was glad to catch at least this one segment today, from a musician who is unnamed because no identifying information was to be seen at his performance space.
There are only two payphones left on the upper level of the Grand Central subway station. Neither one works.
This one starts out a little rough but ends up being among the best quality recordings I've gotten of musicians recorded through NYC's subway payphones.
Up to twenty VOIP phones along a Manhattan Avenue were connected one by one, creating a snapshot of sound comprising all that the phones could capture over the distance of about a mile. City noises and car horns mix with occasionally intelligible words spoken by passers by. It forms a lightly organized cacophony that actually…
Maestro Moses Josiah's Musical Saw sounds mysterious and strange when heard through a public pay telephone. Listen through the crackle of the landline as he plays John Lennon's "Imagine" at the Times Square subway station.
The best way to be heard and clearly understood when placing a call through a Link is to yell. That appears to be what happened in this audio capture, where a LinkNYC enthusiast encountered one of the devices.
The Payphone Project caught up with Natalia Paruz, the New York City street musician known as The Saw Lady, as she was performing in the Times Square subway station a couple of months ago. For over a decade Ms. Paruz has championed the revival of the musical saw, an ancient instrument which enjoyed popularity from…